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For Bill Brown, Main Street’s Home

Elizabeth Leland
Featured August 30, 2006

There’s a 1950s-sitcom feel to this piece about a mentally retarded man who spends his Saturdays visiting his fans on Main Street—but it’s not hoaky. Leland sets a theme and builds it through evidence: concrete detail, dialogue and scene. The voice is more transparent than sentimental. The structure has two tracks: a Saturday with Bill Brown on Main Street and a chronology of his life. Leland alternates between these tracks and closes with one lovely, telling scene.

If you’re going to set out to do a “profile,” this is a good model because it portrays its subject with completeness but does not seek to describe him. It shows him, through entertaining story.

The piece also, indirectly but powerfully, has relevance to public policy. It seems to us an argument for locally owned businesses, for public policy that fosters downtown commerce and community.


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