Narrative nonfiction events and conferences–is there something here for you?
While tracking digital narrative experiments, we at Storyboard also aim to keep readers informed about the world of traditional print narratives. Today we’ve compiled a list of upcoming events for fans who want to hear from classic storytellers or learn elements of craft. Here are just a few of the opportunities available, in chronological order:
The Society of Professional Journalists is hosting one-day workshops with Tom Hallman, who will address not just long-form narrative but also how to “apply narrative techniques to your daily reporting.” (For a sample of his thinking on story, check out our Storyboard post by Hallman.) He’ll be at the University of Maryland, just outside Washington, D.C., on April 3 and at Santa Clara University in Santa Clara, Calif., on May 8.
Boston will host two events in close succession. “The Power of Narrative: Timeless Art in an Urgent Age,” will take place April 23 – 24 at the Boston University Photonics Center and will include veteran storytellers Gay Talese, Adam Hochschild, Buzz Bissinger and Isabel Wilkerson, among many others. As of this morning, online registration was not yet in place, but a list of presenters and conference fees is available.
Grub Street will host “The Muse and the Marketplace 2010” conference May 1-2 at the Boston Park Plaza Hotel. Listed sessions embrace a mixed group of writing styles and genres but will offer writers Jennifer 8. Lee, Michael Downing, and Pablo Medina, as well as a discussion of the current nonfiction market.
Lastly, this summer, you can head south for the Mayborn Literary Nonfiction Conference taking place July 23 – 25 in Grapevine, Texas. Conference keynoters include memoirist Mary Karr, sports writer Gary Smith and journalist Mark Bowden. See this year’s conference schedule, and read our wrapup of last year’s sessions. Registration will open later this month.
All of the above, excepting the Boston University event, list participatory sessions and opportunities to get feedback on your work as part of their schedules. So if you’re interested in classic storytelling, have a look.