During the last days of December, we’ve been tweeting down Storyboard’s top 10 posts for the year. In case you haven’t been following along, here they are, all in one place (in reverse order):
10. Internet phenom Maud Newton’s “Why’s this so good?”:
“Raymond Chandler sticks it to Hollywood.”
9. Chris Jones, Esquire writer at large, talks with Nieman [...]
Tag Archives: Chris Jones
Nieman Storyboard’s top 10 posts for 2011
December 30, 2011 – 1:11 pm
Gay Talese has a Coke*: reflections of a narrative legend, in conversation with Esquire’s Chris Jones
December 2, 2011 – 2:08 pm
Continuing a Nieman Foundation narrative writing speaker series set up by Paige Williams, journalism legend Gay Talese appeared on campus two weeks ago in conversation with Esquire’s Chris Jones. The Harvard Writers at Work lecture series co-sponsored the standing-room-only event, where Talese and Jones were introduced by current Nieman fellow Adam Tanner of Reuters. What follows is [...]
Chris Jones on reporting for detail, the case against outlining and the power of donuts
December 1, 2011 – 12:11 pm
Esquire writer at large Chris Jones came to the Nieman Foundation two weeks ago as part of the Narrative Writing speakers series I started at the foundation last year, and spent a couple of hours talking about craft. Jones began his career as a sportswriter for the National Post in Toronto, where he covered boxing, which became [...]
“Why’s this so good?” No. 22: Hank Stuever on
9-ish
November 29, 2011 – 11:12 am
There are two stories from the immediate aftermath of Sept. 11, 2001, that to me remain better than all the others. R.W. Apple wrote a news analysis that ran on the front of the New York Times on Sept. 12. Hank Stuever wrote an essay that ran on the front of the Style section of the [...]
“Why’s this so good?” No. 4: W.C. Heinz on Air Lift, son of Bold Venture
July 19, 2011 – 9:16 am
On a rainy afternoon in 1949, W.C. Heinz watched a beautiful young horse break its leg and then get shot in the head. And then he sat down and wrote about it for the readers of the New York Sun, ordinary men and women, commuters and shoeshine kids.
More than 60 years after it was written, [...]
What we’re reading: death in all its guises
March 8, 2011 – 1:21 pm
A week into March, we’re eager for spring, but the narrative stories we’ve unearthed lately consistently offer up darker themes that go against the promise of the season. We’ve rounded up a few that focus specifically on death: murder on campus, suicide at work, death in combat and perhaps most surprising, a delicately crafted obituary [...]
What we’re reading, in which we contemplate a hit-and-run fatality, the death of Glenn Beck’s mother and the declining lethality of quicksand
September 30, 2010 – 11:55 am
One of the things about stories is that for them to be interesting, something usually goes wrong. As a result, a large number of the articles, profiles and essays we feature cover unfortunate events, whether recent or recalled from the distant past. This week is no exception, but we can promise that each story is [...]
Chris Jones, Roger Ebert and the possibilities of online narrative (or “does this story ever end?”)
March 2, 2010 – 3:19 pm
When it comes to writing profiles, Esquire’s Chris Jones is used to getting the last word. But a few weeks ago, when Jones worked his storytelling mojo on Roger Ebert, he took on someone who had his own platform and his own audience.
“I knew Roger was writing about the story,” Jones told us via email, [...]
Charles Pierce on the future of narrative journalism: “anyone not concerned isn’t paying attention”
January 7, 2010 – 1:06 pm
I talked this week with Charles Pierce about the end-of-decade summary he did for Esquire. Pierce, who also works for The Boston Globe Magazine, talks (and perhaps writes—see end of interview) faster than any human being alive today. Here, he offers his thoughts on dystopian thinking, recent stories he’s liked, and how good writers get turned [...]
