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	<title>Nieman Storyboard - A project of the Nieman Foundation for Journalism at Harvard &#187; dramatic tension</title>
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		<title>Dan Koeppel and narrative tension—Popular Mechanics not for the faint of heart</title>
		<link>http://www.niemanstoryboard.org/2010/02/02/dan-koeppel-and-narrative-tensionpopular-mechanicsnot-for-the-faint-of-heart/</link>
		<comments>http://www.niemanstoryboard.org/2010/02/02/dan-koeppel-and-narrative-tensionpopular-mechanicsnot-for-the-faint-of-heart/#comments</comments>
		<pubDate>Tue, 02 Feb 2010 16:54:31 +0000</pubDate>
		<dc:creator>Andrea Pitzer</dc:creator>
				<category><![CDATA[words]]></category>
		<category><![CDATA[Dan Koeppel]]></category>
		<category><![CDATA[dramatic tension]]></category>
		<category><![CDATA[Popular Mechanics]]></category>
		<category><![CDATA[print narratives]]></category>

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		<description><![CDATA[So what do you do if you fall out of a plane at 35,000 feet, as is apparently the case with &#8220;How to Fall 35,000 Feet—And Survive&#8221; in the February issue of Popular Mechanics? I came across this story on TheBrowser.com and almost skipped it, thinking the &#8220;helpful hints for disasters&#8221; genre has been done, and overdone.
But reporter [...]]]></description>
			<content:encoded><![CDATA[<p>So what <em>do</em> you do if you fall out of a plane at 35,000 feet, as is apparently the case with &#8220;<a href="http://www.popularmechanics.com/science/air_space/4344036.html?page=1" target="_blank">How to Fall 35,000 Feet—And Survive</a>&#8221; in the February issue of <em>Popular Mechanics</em>? I came across this story on <a href="http://thebrowser.com/" target="_blank">TheBrowser.com</a> and almost skipped it, thinking the &#8220;helpful hints for disasters&#8221; genre has been done, and overdone.</p>
<p>But reporter Dan Koeppel does virtual disaster very well. It&#8217;s tough to use the second person &#8220;you&#8221; so relentlessly without driving the reader away, but here, details actually draw the audience in, even as they induce panic: &#8220;You’ll be unconscious soon, and you’ll cannonball at least a mile before waking up again. When that happens, remember what you are about to read.&#8221;</p>
<p>Koeppel uses four scenes, each of which provides backstory and instructions as he counts down the time and distance to impact. His approach is a good reminder of how a tight structure moving toward a focused climax creates urgency.</p>
<p>His upbeat, Heloise-like tone plays against the gruesome information he provides, such as the fact that children have a greater survival rate for big falls, perhaps because their &#8220;reduced surface area decreases the chance of impalement upon landing.&#8221; From waking up floating in mid-air to a celebratory cigarette on the ground, Koeppel applies a &#8220;you can do it—maybe&#8221; tone that makes for funny, informative, and nausea-inducing reading all at once. Now where&#8217;s that airbag?</p>
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