The best print narratives often take the form of either movie or metaphor. The first approach hinges on complete scenes, allowing a story to unfold as it would in film, through a discrete series of moments or events. This style often works best when a reporter gets out of the way and brings a world [...]
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“Why’s this so good?” No. 30: Sally Jenkins picks Kwame Brown
Meg Greenwell on seeing what others have missed.
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“Why’s this so good?” No. 29: Andrea Curtis and the rhythm of mercy
Bruce Gillespie on well-paced narrative.