In Part 2 of our annotation of Amy Ellis Nutt‘s Pulitzer-winning “The Wreck of the Lady Mary,” Nutt, of the Newark Star-Ledger, explains how the investigative track of her five-chapter narrative unfolded. Yesterday, in Part 1, she walked us through the story conception and first two sections of the series, which chronicled the sinking of an [...]
Tag Archives: Jon Franklin
Amy Ellis Nutt and the wreck of the Lady Mary, Part 1
This is the third in an occasional series of line-by-lines with narrative writers and their work, adapted from a project called Annotation Tuesday! on Tumblr. Earlier, we featured the Tampa Bay Times‘ Michael Kruse and his story about a woman who disappeared inside her own home; and Jon Franklin‘s classic “Mrs. Kelly’s Monster,” the inaugural winner of the [...]
“The Power of Storytelling,” Part 4: Chris Jones on why stories matter, Pat Walters on endings, Walt Harrington on integrity
In Part 3 of our recap of Romania’s “Power of Storytelling” conference on narrative journalism, radio producer Starlee Kine talked about story forms and themes; Esquire‘s Mike Sager talked about listening, and about suspending disbelief; and Pulitzer winner Alex Tizon talked about writing one’s own story. In Part 2, Pulitzer winner Jacqui Banaszynski wrote a short essay about why she and eight other North American [...]
The best of Storyboard: What’s that sound?
The best stories – even the written ones – have audio. Maybe it’s a sensibility: voice or style, which Ben Yagoda explores in his craft book The Sound on the Page. Maybe it’s a structural/pacing device (think of the pop, pop, pop of the heartbeat in Jon Franklin’s “Mrs. Kelly’s Monster”) or the lingering effect of [...]
Jon Franklin and “Mrs. Kelly’s Monster”
Jon Franklin’s “Mrs. Kelly’s Monster,” which in 1979 won the inaugural Pulitzer Prize for feature writing, ran 33 years ago but never loses its power to captivate or instruct. Franklin followed a brain surgeon through a tense operation on a woman named Edna Kelly and wrote a tight, timeless narrative that stands as a model [...]
