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Tag Archives: Maud Newton

“Why’s this so good?” — the Hollywood edition

From our “Why’s this so good?” archives, a handful of great reads on Hollywood by Raymond Chandler, Truman Capote, Ian Parker and Dave Gardetta, deconstructed for craft and significance by critic Maud Newton, The Atlantic’s Alexis Madrigal, Wired’s Jason Fagone and Vanity Fair’s Benjamin Wallace: “Raymond Chandler sticks it to Hollywood” — critic Maud Newton deconstructs an Atlantic [...]

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Welcome, new readers! Our audience has grown considerably lately, so we thought this might be a good time to recap Storyboard’s goods and services, and to invite you to follow us on Twitter, Pinterest and Facebook. We’re a Nieman Foundation for Journalism publication, with two sister sites: Nieman Journalism Lab, edited by Joshua Benton, covers the future of news with daily online posts and [...]

Nieman Storyboard’s top 10 posts for 2011

During the last days of December, we’ve been tweeting down Storyboard’s top 10 posts for the year. In case you haven’t been following along, here they are, all in one place (in reverse order): 10. Internet phenom Maud Newton’s “Why’s this so good?”: “Raymond Chandler sticks it to Hollywood.” 9. Chris Jones, Esquire writer at large, [...]

“Why’s this so good?” No. 5: Raymond Chandler sticks it to Hollywood

We tend now to think of Hollywood’s hackneyed, would-be blockbusters as a new phenomenon, one borne of desperation, unprecedented cynicism and the rise of narrative television. But Raymond Chandler’s wonderful 1945 essay-screed “Writers in Hollywood” reminds us that the motion picture industry was, by and large, as uninspired and ridiculous 65 years ago as it is [...]