It was a sideshow story whose horror was so extravagant that it bordered on vulgarity: On Feb. 16, 2009, a 14-year-old male chimpanzee named Travis, who had been raised from infancy by Nancy Herold, attacked a friend who was visiting her home in Stamford, Conn. Over the next 12 minutes, he ripped or chewed off [...]
Tag Archives: Michael Paterniti
“Why’s this so good?” No. 63: Michael Paterniti and the earthquake
After a 7.0 earthquake destroyed Haiti on Jan. 23, 2010, I spent weeks reading news reports about a tragedy so massive and devastating the numbers alone overwhelmed me: more than 316,000 dead, 300,000 injured, a million homeless. But I didn’t cry until almost a year later, when I read “City of Dust,” Michael Paterniti’s New York [...]
The best magazine features of 2011: an ASME sampler
National Magazine Award judges have a tough job this year as they choose a winner in the features category. There’s the sobering story about a corporate attorney’s mysterious death in Guatemala; the bizarre tale of a pair of young international arms dealers; the moving account of two dozen strangers braving a massive tornado; a fable-like piece [...]
“Why’s this so good?” No. 33: Michael Paterniti’s painted ghosts
It was summer; it was winter. The village disappeared behind skeins of fog. Fishermen came and went in boats named Reverence, Granite Prince, Souwester. Whenever I find my writing drifting into the simple staccato of basic exposition, whenever I question the role of rhetoric in storytelling or despair over rumors of distracted readers and diminished [...]
Chris Jones on reporting for detail, the case against outlining and the power of donuts
Esquire writer at large Chris Jones came to the Nieman Foundation two weeks ago as part of the Narrative Writing speakers series I started at the foundation last year, and spent a couple of hours talking about craft. Jones began his career as a sportswriter for the National Post in Toronto, where he covered boxing, which became [...]
Michael Paterniti on the legacy of Gitmo: “I didn’t want to turn it into some neat parable”
We recently posted our latest Editors’ Roundtable, which dissected “The Boy from Gitmo” by Mike Paterniti. A National Magazine Award winner (and a seven-time finalist), Paterniti writes for GQ and lives in Maine, where he and his wife, Sara Corbett, co-founded The Telling Room, a nonprofit writing program for kids. He is also the author [...]
April Editors’ Roundtable: GQ dives into the personal consequences of war
Stop shopping for your Easter bonnet, and put down those 1040s – it’s time for a new Editors’ Roundtable! This session, our editors are looking at Michael Paterniti’s “The Boy from Gitmo,” which ran in the February issue of GQ. Paterniti’s piece explores the relationship between Mohammed Jawad, a boy who was sent to Guantánamo Bay [...]
Michael Paterniti on storytelling (part 2): William Burroughs’ final months, Mitterrand’s last meal, and magical cheese
Today we bring you Part 2 of a discussion on narrative nonfiction with long-form storyteller Michael Paterniti. (If you just tuned in to the conversation, you might want to check out Part 1.) A six-time finalist for the National Magazine Award, Paterniti won the prize for feature writing for “Driving Mr. Albert,” which became a book [...]
Michael Paterniti on narrative voice, the power of rewrite, Bill Clinton, old cheese, and flying Spaniards (part 1)
Veteran magazine writer Michael Paterniti visited the Nieman Foundation a couple of weeks ago for a discussion about literary journalism with Narrative Writing instructor Paige Williams’ class and other fellows. Winner of the National Magazine Award for feature writing (and a six-time finalist), Paterniti has written powerfully about everything from the crash of SwissAir 111 [...]