Sarah Stillman’s “The Invisible Army” (The New Yorker, June 2011) told the stunning and deeply reported tale of the 70,000 “third-country nationals” who work on U.S. military bases in war zones: Filipinos launder soldiers’ uniforms, Kenyans truck frozen steaks and inflatable tents, Bosnians repair electrical grids, and Indians provide iced mocha lattes. The Army and [...]
Tag Archives: National Magazine Award
Annotation Tuesday! Pamela Colloff and the innocent man, Part 2
Pamela Colloff’s annotated “The Innocent Man” continues today, with the second and final part. (To read Part 1, go here.) The timing couldn’t be better. On Monday, the American Society of Magazine Editors (ASME) named Colloff’s finely reported Texas Monthly narrative, about the wrongful 25-year imprisonment of a man believed to have murdered his wife, a National Magazine Award [...]
Andrew Corsello on authorial empathy, the problem of goodness, the writer-editor relationship, the importance of rule-breaking, and naps
In yesterday’s post, guest curator Michael Fitzgerald wrote about the storytelling power behind “The Wronged Man,” a 2004 GQ piece by National Magazine Award winner Andrew Corsello. Fitzgerald, a Massachusetts-based business and technology writer and former Nieman Fellow, caught up with Corsello by phone recently, to talk about the story. Here’s part of their conversation, edited [...]
“The Power of Storytelling,” Part 1: A bunch of American storytellers go to Romania…
Early this month, an all-star pack of North American storytellers flew halfway around the world, to Romania, to talk about narrative journalism. They took the stage before a sold-out audience and one by one talked about stories. They got into fear, hope, death, courage, insecurity, and a dozen other things, but above all they talked about [...]
“Why’s this so good?” No. 51: Gary Smith and Coach O’Leary’s lies
We may as well begin the way Gary Smith begins – with a question, and near the end. Why is it that when you finish reading “Lying in Wait,” Smith’s 2002 profile of coach George O’Leary, you feel the impact so strongly? And by feel I mean physically feel. It will be different for everyone, [...]
Michael Mooney on trauma detail, his reading partner, the internal critic and his “I ♥ (Vince Young)” notebook
We’ll be talking to Michael Mooney again soon about a small body of his recent long-form journalism, but today we give our attention to “When Lois Pearson Started Fighting Back,” our latest Notable Narrative. We chose the D magazine story, about how a 62-year-old Texas woman named Lois Pearson survived a horrifically violent kidnapping, for [...]
Keeping you up to date on Storyboard
You might notice editors switching seats in the days ahead. In the interest of keeping readers in the loop, we want to let you know that Storyboard editor Andrea Pitzer is working on a narrative nonfiction project about Vladimir Nabokov and will be taking a few months to concentrate solely on her book. In the [...]
Chris Jones on reporting for detail, the case against outlining and the power of donuts
Esquire writer at large Chris Jones came to the Nieman Foundation two weeks ago as part of the Narrative Writing speakers series I started at the foundation last year, and spent a couple of hours talking about craft. Jones began his career as a sportswriter for the National Post in Toronto, where he covered boxing, which became [...]
