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Tag Archives: NPR

Viewfinder: Funny business

The news business is rarely funny. Much of what we do every day is report on devastating acts of nature, the plight of those without voices – the problems of the world. For most of those stories it’s best to rely on the Joe Friday approach: just the facts, which almost always speak louder than any adjective [...]

The best in narrative, 2012: Storyboard’s top picks in audio, magazines, newspapers and online

Welcome to Storyboard’s first annual year-end roundup of top storytelling: 34 of our favorite pieces in audio, magazines, newspapers and online, with three of the categories guest curated by Mark Armstrong (online), Julia Barton and Julie Shapiro (audio), and Ben Montgomery, Michael Kruse and Thomas Lake (newspapers). This was a strong year for storytelling, and it was hard to choose. You’ll find pieces that [...]

New Niemans and their stories: Meet the Class of 2013

The first week of fall term ends today at Harvard, and the Nieman Foundation’s newest class of fellows is settling in. The Nieman fellowship, which next year will celebrate its 75th anniversary, brings together 12 U.S. and 12 international journalists for one year of study across the university. Fellows pursue the topics of their choice, [...]

“Why’s this so good?” No. 53: Phyllis Fletcher on Ina Ray Hutton’s secret

Phyllis Fletcher opens this wonderful piece of rescued history and solved mystery with a simple declaration: “Ina Ray Hutton was a stone cold fox.” The correct response to this kind of shared confidence – relayed by Fletcher in a rich voice streaked with a lusty glee one doesn’t often hear on public radio – is, of [...]

Narrative + investigative: tips from IRE 2012, Part 1

At last month’s Investigative Reporters & Editors conference, in Boston, hundreds of reporters attended dozens of sessions on everything from analyzing unstructured data to working with the coolest web tools and building a digital newsroom. The conference, which started in the 1970s, after a Phoenix reporter died in a car bomb while covering the mob, is usually [...]

The best of Storyboard: finding ideas

Great story ideas come by luck but also with the hard work of searching, pre-reporting and thinking. From our archives, here are a few timeless pro tips for idea-mining. Follow the links to longer pieces on story craft.  “Topic selection for a writer is crucial and not crucial at all. The not-crucial part is that [...]

Kiera Feldman on investigative narrative, trauma reporting, true believers and tricky description

In “Grace in Broken Arrow,” our newest Notable Narrative, Brooklyn-based freelancer Kiera Feldman unfurls an investigative story about child sex abuse and institutional accountability at a private evangelical Christian school outside of Tulsa, Okla. The piece ran last week in This Land, a two-year-old web/print magazine in Tulsa that’s drawing acclaim for its long-form stories and [...]

“Why’s this so good?” No. 43: “Radio Diaries” on teenage drama

Boxing stories leave me cold. Like many sports stories, they seem to assume an audience of fans who will be thrilled − rather than sickened − by a narrative built on grueling workouts, bloodied lips and head injuries. So I downloaded “Teen Contender,” about a 16-year-old girl trying out for the USA’s first Olympic boxing team, with some reluctance. I [...]

What we’re following: truthiness in narrative

It’s been a volatile few months for ethics in storytelling, what with the unprecedented “This American Life” retraction of monologist Mike Daisey’s Apple story, and with the unfurled furor over John D’Agata’s anti-accuracy screed in The Lifespan of a Fact. Of all the reactions to the Daisey fiasco, a couple stood out. Steve Myers and [...]