During the last days of December, we’ve been tweeting down Storyboard’s top 10 posts for the year. In case you haven’t been following along, here they are, all in one place (in reverse order):
10. Internet phenom Maud Newton’s “Why’s this so good?”:
“Raymond Chandler sticks it to Hollywood.”
9. Chris Jones, Esquire writer at large, talks with Nieman [...]
Tag Archives: Paige Williams
Nieman Storyboard’s top 10 posts for 2011
December 30, 2011 – 1:11 pm
Gay Talese has a Coke*: reflections of a narrative legend, in conversation with Esquire’s Chris Jones
December 2, 2011 – 2:08 pm
Continuing a Nieman Foundation narrative writing speaker series set up by Paige Williams, journalism legend Gay Talese appeared on campus two weeks ago in conversation with Esquire’s Chris Jones. The Harvard Writers at Work lecture series co-sponsored the standing-room-only event, where Talese and Jones were introduced by current Nieman fellow Adam Tanner of Reuters. What follows is [...]
Chris Jones on reporting for detail, the case against outlining and the power of donuts
December 1, 2011 – 12:11 pm
Esquire writer at large Chris Jones came to the Nieman Foundation two weeks ago as part of the Narrative Writing speakers series I started at the foundation last year, and spent a couple of hours talking about craft. Jones began his career as a sportswriter for the National Post in Toronto, where he covered boxing, which became [...]
September Editors’ Roundtable No. 2: The New York Times on facing death
September 29, 2011 – 6:59 pm
Our second Roundtable of September examines “The Good Short Life,” by Dudley Clendinen. Diagnosed with ALS, Clendinen reflects on the past suffering of those closest to him and decides that he would prefer to approach death on his own terms, ending his life at a moment of his choosing. His essay ran July 9 in the New [...]
August Editors’ Roundtable No. 1: GQ ponders truth, lies and mystery
August 4, 2011 – 9:38 am
Our first Roundtable of August considers “Blindsided: The Jerry Joseph Basketball Scandal,” by Michael Mooney. The story spotlights a high school basketball player who stirred up questions about truth and identity that the town of Odessa, Texas, is still struggling to answer. “Blindsided” ran in the July issue of GQ and was edited by Michael Benoist.
For [...]
June Editors’ Roundtable: The Washington Post finds order in chaos
June 6, 2011 – 3:47 pm
For the first Roundtable of the month, our editors looked at “Ala. tornado twists two families together” by Stephanie McCrummen from The Washington Post. The story, published early in May, covers an unusual connection between strangers after a twister roared through Rainsville, Ala.
We’ve switched things up a little this installment, freeing editors from a pesky [...]
May Editors’ Roundtable: St. Petersburg Times dives into missing man mystery
May 4, 2011 – 11:02 am
This month, the Editors’ Roundtable looks at “When a diver goes missing, a deep cave is scene of a deeper mystery” by Ben Montgomery of the St. Petersburg Times. The story, our first newspaper narrative for the Roundtable, tells the tale of Ben McDaniel, who disappeared at Vortex Spring in August of last year.
Each month, we talk [...]
April Editors’ Roundtable: GQ dives into the personal consequences of war
April 6, 2011 – 10:00 am
Stop shopping for your Easter bonnet, and put down those 1040s – it’s time for a new Editors’ Roundtable! This session, our editors are looking at Michael Paterniti’s “The Boy from Gitmo,” which ran in the February issue of GQ. Paterniti’s piece explores the relationship between Mohammed Jawad, a boy who was sent to Guantánamo Bay [...]
March Editors’ Roundtable: Mother Jones looks at rape in Haiti
March 3, 2011 – 3:25 pm
The narrative for discussion in the second installment of our Editors’ Roundtable is “Welcome to Haiti’s Reconstruction Hell” by Mac McClelland. Appearing in Mother Jones earlier this year, the story was written after a visit in 2010 to survey the island’s post-quake recovery efforts. Clara Jeffery, one of two editors-in-chief at Mother Jones, edited the piece.
The narrative for [...]
