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Tag Archives: Sean Patrick Farrell

Work the problem: Survival tips and resources for the narrative video journalist

Editor’s note: Our Work the Problem series has covered story regret, with Esquire‘s Tom Junod; self-editing, with Pulitzer winner Amy Ellis Nutt; and prospecting for narrative, with Storycraft author Jack Hart. Today’s question: “What survival tips can you offer a reporter who is in charge of capturing a narrative in video, print and photography? Some days I fall [...]

Viewfinder: Funny business

The news business is rarely funny. Much of what we do every day is report on devastating acts of nature, the plight of those without voices – the problems of the world. For most of those stories it’s best to rely on the Joe Friday approach: just the facts, which almost always speak louder than any adjective [...]

Storyboard 2013: New year, new features

Storytelling in 2013 — how will it look? Sound? How will it make us feel? Who’s doing it well, and how did they do it, and what can the rest of us learn from that work? We’re looking forward to finding out. Storyboard spent 2012 expanding our content and trying out new ways to engage readers. [...]

Viewfinder: Video storytelling — yes, you can

Until about the past decade, making films or videos required thousands of dollars of equipment, years of experience and an outlet, be it a theater or a TV station. Now we have cheap and good cameras that most of us carry in our pockets, plus numerous ways to disseminate the content. As a result, video [...]

Video narrative, #longreads and more

Keeping you up to date on all things Storyboard, we’d like to point out a few new features and opportunities you might have missed. *We’ve collected some of our most popular chats with narrative storytellers in a new #longreads section, where you can read Q-and-A’s with David Grann, Pam Colloff, Buzz Bissinger, Gay Talese, Jeanne Marie [...]

Kevin Sack on kidney transplants, kickers, the myth of the daily/narrative disconnect and “The Little Mermaid”

For our latest Notable Narrative we chose Kevin Sack’s “60 Lives, 30 Kidneys, All Linked,” a New York Times story about an unprecedented chain of kidney transplants. We admired the story as a deft and moving example of explanatory narrative, and because Sack, a two-time Pulitzer winner, chose an unlikely protagonist, with deeply touching consequences. [...]