Explore Harvard's Nieman network Nieman Fellowships Nieman Lab Nieman Reports Nieman Storyboard

Tag Archives: The Atlantic

What he gave: Richard Ben Cramer

When Richard Ben Cramer died Monday, at 62, of lung cancer, the outpouring of grief and gratitude began immediately. It’s hard to find a narrative journalist or a serious political writer that Cramer didn’t influence with What It Takes: The Way to the White House, his 1,047-page saga of the 1988 presidential race, or with [...]

Hurricane Sandy: story forms

The Hurricane Sandy storylines are still unfolding, but one thing became clear on Monday as winds and water overtook New York City and New Jersey in historic proportions: Digital media deepened the transformation of the disaster narrative. Here’s some of what’s out there today in various storytelling forms: The New York Times’ Tumblr-like live update stream was the cleanest [...]

“What’s on your syllabus?”

Every narrative journalist can point to a story or a book, or two, that changed their lives, and that made them want to tell true stories. What story does it for you? Where was your love born? When we asked about influential writing via Twitter, answers came in a flurry. Wright Thompson said North Toward Home, [...]

“Why’s this so good?” No. 48: Burkhard Bilger noodles a catfish

The story I want to tell you about, “In the Monster’s Maw,” was published in 1997, and that’s important. Because in 1997, when Burkhard Bilger went out to Oklahoma for The Atlantic, to write about noodling for catfish, few people knew what noodling was. You probably do. You’ve seen it on YouTube: a guy is [...]

What we’re following: truthiness in narrative

It’s been a volatile few months for ethics in storytelling, what with the unprecedented “This American Life” retraction of monologist Mike Daisey’s Apple story, and with the unfurled furor over John D’Agata’s anti-accuracy screed in The Lifespan of a Fact. Of all the reactions to the Daisey fiasco, a couple stood out. Steve Myers and [...]

“Why’s this so good?” No. 15: Michael Lewis’ Greek odyssey

Last October, with the Greek bond crisis emerging as a danger to the European economy, Michael Lewis wrote a piece for Vanity Fair about an order of monks accused of manipulating the crisis to bilk the Greek government out of billions of dollars. It’s 12,000 words about bonds, corruption, politics and markets, yet it moves [...]

“Why’s this so good?” No. 12: Ian Frazier digs into piggery

Environmental journalists often feel married to the tragic narrative. Pollution, extinction, invasion: The stories are endless, and endlessly the same. Our editors see the pattern and bury us in the back pages; our readers see it and abandon us on the subway or in the dentist’s office. Sometimes we’re no fun. But assuming the value [...]

“Why’s this so good?” No. 5: Raymond Chandler sticks it to Hollywood

We tend now to think of Hollywood’s hackneyed, would-be blockbusters as a new phenomenon, one borne of desperation, unprecedented cynicism and the rise of narrative television. But Raymond Chandler’s wonderful 1945 essay-screed “Writers in Hollywood” reminds us that the motion picture industry was, by and large, as uninspired and ridiculous 65 years ago as it is [...]

Old story, new media: David Dobbs brings family secrets to the Atavist

We recently talked by Skype with David Dobbs about the mystery that began with his mother’s dying wish. Dobbs’ years of efforts to solve that mystery eventually became “My Mother’s Lover,” which was published last month byThe Atavist. Dobbs has written at many lengths in several formats: He’s completed three books on science and environmental [...]

Slow violence and environmental storytelling

How can environmental writers craft emotionally involving stories from disasters that are slow-moving and attritional, rather than explosive and spectacular? This is a particularly pressing question for our age, as the news cycle spins ever faster, as the media venerates spectacle, and as public policy is increasingly shaped around what are perceived as immediate needs. Think [...]