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Tag Archives: Tom Wolfe

Pamela Colloff and Tom Junod talk storytelling

At the recent City & Regional Magazine Association conference in Atlanta, Esquire’s Tom Junod and Texas Monthly’s Pamela Colloff interviewed each other for an audience of narrative lovers. Atlanta magazine’s Tony Rehagen kindly recorded the session exclusively for Storyboard. You can hear the conversation in its entirety (an hour and 22 minutes) below, with an introduction by Steve [...]

Professor Hersey: one student, the iconic author of ‘Hiroshima,’ and 6 timeless takeaways

In good fiction, the reader absorbing a compelling narrative never notices the writer as intermediary. In nonfiction, that translator’s presence is inevitable. Since the former is the ideal relationship with the reader, the more you can bring that non-point of view to nonfiction narrative, the better. In other words, as a writer, no matter what the hell you’re writing, do your best to kill your ego, even if those are mutually exclusive ideals. (i.e.: He could have told the story of the effect of that atomic bomb on an innocent city by telling us what he found when he went over there, and it would have been a good piece. Instead he gave the story over to the six survivors, and it earned a place in immortality.)

Vex, Hex, Smash, Smooch: All Hale verbs

Word nerds, you’ll want to stock up on yellow highlighters for Vex, Hex, Smash, Smooch, Constance Hale’s newest book on writing and language. In her follow-up to Sin and Syntax, Hale, a journalist and writing teacher, autopsies and deifies verbs. Verbs, nerds! From whence they came; and why good writing can’t exist without them. After reading [...]

“Why’s this so good?” No. 61: John McPhee and the archdruid

The New Journalism of the 1960s and 1970s – by Tom Wolfe, Hunter Thompson, and others – made the biggest collective splash in recent American nonfiction, and certainly enlarged our idea of what the genre could do. The best of it may endure, but, 50 or 100 years from now, will people still be enthralled by Thompson’s psychedelic ramblings or the early Wolfe’s strings of italics and exclamation marks? More lasting, I think, as a grand pointillist mural of our time and place as expressed in the lives of an encyclopedic range of people, will be the work of John McPhee.

“What’s on your syllabus?”

Every narrative journalist can point to a story or a book, or two, that changed their lives, and that made them want to tell true stories. What story does it for you? Where was your love born? When we asked about influential writing via Twitter, answers came in a flurry. Wright Thompson said North Toward Home, [...]

“Why’s this so good?” No. 51: Gary Smith and Coach O’Leary’s lies

We may as well begin the way Gary Smith begins – with a question, and near the end. Why is it that when you finish reading “Lying in Wait,” Smith’s 2002 profile of coach George O’Leary, you feel the impact so strongly? And by feel I mean physically feel. It will be different for everyone, [...]

“Why’s this so good?” No. 40: Roy Blount Jr. lets Jerry Clower talk

Over the years Roy Blount Jr. has written a number of superb magazine articles, one of my favorites being “Knock ’im Out, Jay-ree!” a profile of the great Southern raconteur Jerry (pronounced Jay-ree) Clower. The piece, which appeared in Sports Illustrated in 1973, possesses many virtues, among them its substantial length. Clower, a regular on the [...]

Keeping it real: how round characters grow from the seeds of detail

When I first read the New Journalism manifestos by Tom Wolfe in the late 1970s, they changed forever my vision of narrative. In spite of my Ph.D. in English, I realized for the first time that a narrative had parts and that each part lent to a story a power of its own. I began [...]

Tracy Kidder in conversation with Darcy Frey, part 1: “Anyone who writes for a living and doesn’t admit to being very lucky is almost certainly insane”

Last week, veteran writer Tracy Kidder offered his reflections on narrative nonfiction a public conversation with current Nieman Fellow Darcy Frey. Part of the Harvard Writers at Work series, the talk took place in a packed campus auditorium and was co-sponsored by the university’s Shorenstein Center, where Kidder is a fellow this fall. Winner of [...]